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“In addition to tunes from Dalarna, their repertoire also includes Dan Andersson, Bellman and Taube, all with playful and fresh arrangements, performed with sensitivity, stage presence and finesse. Malin Foxdal has a voice that moves the listener, and the energy and joy she radiates on stage makes everyone just want more.”

Hälsinglands Tidning

NEW ALBUM Malin Foxdal Trio - Swede Hollow See Buy CD

Malin Foxdal - vocals, octave mandolin
Anders Nygårds - violin, vocals
Magnus Zetterlund - cittern, guitar, vocals

Three personal expressions meet in masterful playing and harmony singing.
Through tradition and improvisation, with strong stage presence, the trio create magical music in the moment.

The trio’s concert programme contains everything from folk music to jazz, to Dan Andersson and original tunes. The trio also have two music theatre productions; Brorslotten and On the other side of Swede Hollow.

Malin Foxdal has been described as ”Folk music’s Monica Zetterlund”. Her distinct mix of Swedish folk music and song with influences from American folk music and blues has won the hearts of both audience and critics.  

Anders Nygårds, the well-renowned fiddler from Rättvik, has composed film music for Maria Blom’s films and has played with Lars Winnerbäck and Magnus Uggla, amongst others. More info: andersnygårds.com

Magnus Zetterlund plays with Nordic and Tomas Ledin’s Höga Kusten Kapellet, amongst others. More info: magnuszetterlund.com

“Sweden’s next great troubadour and folk singer has landed. Malin Foxdal stands here completely straightforward and independent in her artistry.”
Alexander Agrell - Sydsvenskan.

“I don’t know how it happens, but by the end one is spellbound. Both by the music and the lyrics, which are carried by Foxdal’s broad register as a singer. She belongs to the kind that know how to frame a story. Two words are all it takes, then you to want to hear what happens next. She is at her best when she approaches the darkness in the folk song tradition. Broken hearts. Grief. Death. She takes the genre to a whole new level by weaving Swedishness together with blues, bluegrass and American folk music.”
Jesper Bengtsson, Eskilstuna Kuriren

“Her cross-over feels so self-evident, consummate and natural. In addition to this, Malin has explored and found her own style. Particularly praiseworthy is the often severe and always interesting treatment of the song’s harmony. Malin Foxdal’s voice, one of the best I know of in Swedish folk music today, has an impressive breadth. Clear deep notes, high notes often adorned with a slight rasp, perfect intonation, very varied dynamics, astounding ease and a natural inclination for folk music interpretations make her worth listening to regardless of context.”
Petter Terenius - Folkmusik & Dans